In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Person sitzt an Marmortisch in hellem Raum, trägt schwarzes Hemd und Brille, schaut neutral zur Kamera; Keramikgefäße auf Tisch.

Collector Stories Kristian Roland, Aarhus

What started out as an interest of his father’s, turned out to impact the life of young art collector Kristian Roland in a surprising way. Art became a focal point in his life, which the growing art collection in his home bears witness to. For Kristian, artworks are carriers of stories, the best of which challenge the spectator and serve as gateways for unexplored territory.

Culture Briefing

Where to meet art, culture and creativity

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With Elisabeth von Samsonow, the Heidi Horten Collection is dedicating a major solo exhibition to an artistic and philosophical perspective that transcends narrow disciplinary boundaries. This is the first time that Elisabeth von Samsonow’s multifaceted body of work has been presented on this scale, showcasing its artistic breadth and intellectual depth.

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For the 22nd time, VIENNA ART WEEK puts Vienna’s vibrant art scene in the spotlight. Under this year’s theme, “Navigating Angst,” the festival explores the fears and uncertainties of our time. Together with around 70 programme partners, the festival offers a full week of inspiring art – from contemporary to Baroque – with free admission.

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Iranian-born artist Soli Kiani creates a body of work in which fabric becomes both a formative substance and a carrier of social meaning. Themes such as origin, physicality, and negotiating patriarchal structures are combined in her work with a distinctive, sculptural language. For the Dominikanerkirche Krems, she has conceived a spatial installation in which textile materials serve as the central artistic medium.

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ART COLOGNE is the world's oldest and one of the most important fairs for modern and contemporary art. Every year, renowned galleries, artists, collectors and art lovers meet in Cologne to discover high-calibre paintings, sculptures, photographs, installations and digital artworks. As an international art fair, ART COLOGNE sets standards in the art market and offers a unique platform for dialogue between artists and investors. Visit ART COLOGNE and experience high-quality works of art, exciting special exhibitions and exclusive vernissages in an inspiring atmosphere.

Nordic Notes

Collectors Agenda's view on the Nordic art scene

Woman seated on a step in an art studio, wearing a blue shirt and Nordic-pattern cardigan, holding a face mask near a bright abstract mural.

Helena Kauppila, Berlin
Helena Kauppila is a mathematician turned visual artist. Her work process is heavily influenced by mathematics, neuroscience, and the observations of nature both indoors and out. Kauppila sees paintings as life affirming entities that immediately and continuously react with the viewer and the situation in space.
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