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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Two adults pose in a doorway with ornate wallpaper; man in a suit and pink striped tie, woman in a dark dress with necklace and glasses.

Collector Stories Otto and Saskia Wiesenthal, Vienna

It has been twenty-five years since Otto Wiesenthal resigned from a managerial position to devote his time to the transformation of a house in Vienna’s seventh district built during the period of intensive industrial expansion at the end of the nineteenth century into the Hotel Altstadt Vienna, a key role in this decision, was the intention of installing his personal art collection. We met with Wiesenthal and his daughter Saskia, the hotel’s marketing and art manager and an art collector in her own right, in one of the suites of the “Altstadt” filled with design and art for a conversation about life with beautiful things and of that which is special about Vienna.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Collectors Agenda's view on the Nordic art scene

Artist in dark sweater gestures toward a lime-green hooded sculpture; another lime-green figure on a wooden pedestal in a bright studio.

Kim Simonsson, Fiskars
With references to fairytale characters, manga films and computer games, Kim Simonsson’ sculptures are very distinctive. His dreamy figures are a touch menacing, yet simultaneously fragile and frail. They all share an appearance that is solitary and a little sad, tinged with a sense of uncertainty or uneasiness that is stirred among the viewer. Who are they, and where are they going?
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Editions

Exclusive limited editions and work series

Two vertical framed abstract artworks on a white wall; left blue-framed piece with blue interior and red marbling, right red-framed piece with blue interior and red marbling.

Clemens Wolf
»Expanded Paintings«

Three textile panels with cut-out text on fabric squares displayed on a white gallery wall; left piece is framed.

Asger Dybvad Larsen
»Untitled (Cut-up 31)«

Two rectangular abstract paintings hung on a white wall; left panel cobalt blue with multicolored shapes, right panel dark gray with blue patches.

Yorgos Stamkopoulos
»Untitled«

Exhibitions

Currently on show at our project space in Vienna

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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