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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Young adult in navy V-neck sweater stands with hands in pockets in a bright minimalist room, with wall photo, card display, and orange book on table.

Collector Stories Lukas Jakob, Gundelfingen, Germany

Lukas Jakob started his private collection of Contemporary Art in 2016 by buying a tie by Katharina Grosse. His last acquisitions, however, are incomparably larger: he now concentrates on expansive installations. His residence in the tri-border area between Germany, Switzerland and France gives him a regional and international outlook on art.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Person with short hair, glasses, wearing a pink shirt, stands with hands on hips before a large abstract mural in an art studio.

Kirsi Mikkola, Berlin
Finnish artist Kirsi Mikkola gained recognition in the 1990s for her colorful, cartoonish plaster sculptures. In recent years she went through a radical shift in her artistic practice in developing a distinct approach to abstraction that merges the formal language of painting and collage that Mikkola herself refers to as “constructions”.
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Editions

White circular relief with tangled string inside, mounted in a black-framed square display on a dark gallery wall.

Clemens Wolf
»Line Drawings«

Colorful cross-shaped interlocking blocks forming a 4-by-4 grid on a white surface.

Anna Jermolaewa
»Adapters«

Three framed prints of a stylized monument with a pointed spire, displayed in a row on a white gallery wall (pink, olive, blue).

Andreas Werner
»the mad abstract dark, ground it«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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