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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Person with glasses and beard wearing a black zip-up jacket stands with hands in pockets in an industrial setting with metal stairs and blue railings.

Collector Stories Jens-Peter Brask, Copenhagen

Jens-Peter Brask is a curator, publisher and passionate art collector. What began with an early fascination with graffiti as a form of artistic expression led to the fact that art has entered his life throughout.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Artist stands with hands behind back in a studio, surrounded by large dark abstract canvases and stacked boards.

Asger Dybvad Larsen, Aarhus
Young Danish artist Asger Dybvad Larsen has found himself absorbed in a space of reflection from an early age. Looking inward and reflecting on the process of coming into being has become a defining element in his art. In this interview, Asger Dybvad Larsen contemplates his own practice and how it leads him to challenge the way he works with colour, form, scale and not least the process itself - a constant inconstant in his art and in his life!
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Editions

Pedestal-mounted electrical outlet with a coiled cord, atop a cross-section of soil, against a black background

Doug Aitken
»Twilight (earth-core)«

Blue-white neon sign spelling hygge in cursive, mounted on a metal bar against a pale wall.

Brigitte Kowanz
»12igh20«

Graphic pattern of navy blue and white horizontal stripes.

Jacob Dahlgren
»No Stars, But Stripes«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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