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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Adult person wearing a cream knit sweater and plaid trousers stands with hands in pockets in a bright, minimalist interior with large windows.

Collector Stories Gil Bronner, Düsseldorf

The Düsseldorf art collector Gil Bronner is the founder of the Philara Collection, which will celebrate its tenth anniversary in 2026. The Philara Collection is a public exhibition space for international contemporary art, showing art in a former glassworks in Düsseldorf. Parts of his private collection, which Bronner has been building up since the 1990s, are also on display here.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Bearded adult male in a beige jacket holds a large poster of two people embracing in a bright art studio with ladders and frames.

Simon Dybbroe Møller, Berlin
Whether working with film, sculpture, installation or the written word, Simon Dybbroe Møller’s work always comes back to the photographic image. Interested in how we are shaped by the media we create, the Danish born, Berlin-based artist questions “how it feels to be bodies tumbling or stumbling through this world”.
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Editions

Concrete building with large oval openings; two white vintage cars parked in ground-level garages.

Werner Feiersinger
»Untitled (Chandigarh)«

Person wearing rolled-up sleeves and belt sits, forearm resting on torso against a dark background

Thilo Jenssen
»Smooth Operator«

Two tall blue abstract panels hung on a white gallery wall, suspended by thin wires with wooden top and bottom bars.

Andreas Duscha
»Perpetuum«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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