In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

Person sitzt an Marmortisch in hellem Raum, trägt schwarzes Hemd und Brille, schaut neutral zur Kamera; Keramikgefäße auf Tisch.

Collector Stories Kristian Roland, Aarhus

What started out as an interest of his father’s, turned out to impact the life of young art collector Kristian Roland in a surprising way. Art became a focal point in his life, which the growing art collection in his home bears witness to. For Kristian, artworks are carriers of stories, the best of which challenge the spectator and serve as gateways for unexplored territory.

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CHART is the leading event for Nordic contemporary art and an editorial platform focusing on the region's contemporary art scene. CHART bring together dedicated individuals and inspiring professionals to impact the future of the arts community in the Nordics and beyond. The next edition of CHART will take place from 27 – 30 August 2026. Each year, CHART presents an art fair with the leading galleries in the region, alongside younger galleries with more emerging programmes, a vast public programme of talks, performances, films and music, a site-specific sculptural exhibition in the iconic amusement park Tivoli Gardens, as well as ongoing editorial releases. Building on Copenhagen’s strongholds of art, design, and architecture CHART explores artistic crossovers and bring the arts community together in all its diversity.

Poster for Julian Charrière's 'Spiral Economy' exhibition at Museo Corner Venezia during the Venice Biennale.

Nordic Notes

Adult with glasses sits on white sofa in a bright living room, gazing to the right; large windows, greenery, stack of books nearby.

Eija-Liisa Ahtila, Helsinki
Most video works by Finnish visual artist Eija-Liisa Ahtila take place on multiple screens, producing different vantage points of a story simultaneously. She intentionally floods or overwhelms the viewer's senses in order to produce a strong emotional impact, abandoning the traditional moving image script.
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