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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Mann in dunklem Hemd sitzt an weißer Theke neben farbigem Wandkunst-Text ANGRY YOUNG MEN.

Collector Stories Jan Widlund, Stockholm

Jan Widlund is considered one of the most avid collectors in the Swedish contemporary art scene and is recognized for having discovered and paved the way for many emerging Swedish artists. His standards of collecting are uncompromising and living up to nothing less than museum quality.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Back view of a person with a top knot wearing a black T-shirt reading 'DEAD INSIDE BUT STILL HAVE FUN', standing in a bright attic studio.

Toni R. Toivonen, Hämeenkoski
Toni R. Toivonen reflects on the duality of life. Moving between abstraction and realism, his golden-hued works on brass depict decaying animals lying recumbent. As the dead animal’s body decomposes it leaves its presence on a sheet of brass, an aesthetic image that is both peaceful and dignified.
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Editions

Two nude adults embrace on a bed; close-up of intertwined arms, visible forearm tattoo, and purple-tinted fingers.

Stefanie Moshammer
»Fred's Sword«

Diptych: left panel with dark blue textured surface; right panel with blue and white speckled pattern.

Clemens Wolf
»Expanded Metal Pigment Paintings«

Triptych of textile art: canvases with blue brushstrokes mounted on white fabric with dark-blue edges, displayed on a white wall.

Charlotte Klobassa
»Signature Moves«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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