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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

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Collector Stories Katharina Baukhage, Berlin

Katharina Bauckhage founded artflash in 2012 as the first online gallery for artworks and limited editions in the German-speaking world. The platform appeals to newcomers and established collectors alike — more than 1,000 editions by over 500 artists have been sold to date.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Lächelnde Frau in schwarzem T-Shirt steht an einem Atelier-Arbeitsplatz mit Papierrollen, Rahmen und Materialien.

Sofie Thorsen, Vienna
Sofie Thorsen poses abstract questions on the subject of space, its formal language and design, always starting from concrete architectural, temporal and geographical situations. In her "Play Sculptures", for example, she deals with a forgotten typology of forms during the art-in-architecture movement of the post-war period, emphasizing the intertwined character of abstract sculpture, architecture and urban planning, aesthetics and society.
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Editions

Two nude adults embrace on a bed; close-up of intertwined arms, visible forearm tattoo, and purple-tinted fingers.

Stefanie Moshammer
»Fred's Sword«

Faded white page with random blue-black ink specks and faint bottom text.

Andreas Duscha
»For my mother«

Two oval perforated panels with dotted patterns and glowing curved blue and pink neon tubes on a white wall.

Raphaela Riepl
»Assorted Flavors«

Exhibitions

Art gallery interior with white walls, numerous framed artworks, and white pedestals displaying sculptures on a parquet floor.

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