In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

Person sitzt an Marmortisch in hellem Raum, trägt schwarzes Hemd und Brille, schaut neutral zur Kamera; Keramikgefäße auf Tisch.

Collector Stories Kristian Roland, Aarhus

What started out as an interest of his father’s, turned out to impact the life of young art collector Kristian Roland in a surprising way. Art became a focal point in his life, which the growing art collection in his home bears witness to. For Kristian, artworks are carriers of stories, the best of which challenge the spectator and serve as gateways for unexplored territory.

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(auf dem Gelände der Fira Barcelona-Montjuic in Barcelona, Spanien) auf einer Fläche von
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ökologischen Fußabdruck der Veranstaltung zu minimieren und Abfall zu reduzieren. Unter dem Leitmotiv der Sonnenfinsternis als Perspektivwechsel führt die internationale unabhängige Kunstplattform, auf der mehr als 180 Künstler:innen aus 22 verschiedenen Ländern vertreten sein werden, erstmals das OFF-SITE-Programm ein und setzt sich für die Dezentralisierung der künstlerischen Praxis sowie die Stärkung gemeinschaftlicher Bindungen ein. Damit reagiert sie auf die Notwendigkeit, Ausstellungs- und Marktstrukturen angesichts der aktuellen klimatischen und gesellschaftspolitischen Krise zu überdenken.

Nordic Notes

Artist in a black jacket rests an arm on a glass display case containing an iridescent sculpture, in a bright studio with abstract paintings.

Johannes Holt Iversen, Copenhagen/Amsterdam
The Danish painter and sculptor Johannes Holt Iversen has bases in Copenhagen and Amsterdam. He focuses on exploring the tension between artificial and organic material and life forms and works with both traditional art forms and cutting-edge technology including AI.
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