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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

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Person mit Bart sitzt im Wohnzimmer auf grauem Sofa, leger gekleidet in Schwarz; bunte abstrakte Malerei hängt an der Wand.

Collector Stories Claus Busch Risvig, Silkeborg

Claus Busch Risvig didn’t grow up with art, and yet, the Danish collector ended up devoting his life to it. Be it on social media or in real life, he shares his contemporary art collection with people from around the world, determined to initiate dialogue around art and show the rest of the world that collecting art is not just for the few.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Artist in dark sweater gestures toward a lime-green hooded sculpture; another lime-green figure on a wooden pedestal in a bright studio.

Kim Simonsson, Fiskars
With references to fairytale characters, manga films and computer games, Kim Simonsson’ sculptures are very distinctive. His dreamy figures are a touch menacing, yet simultaneously fragile and frail. They all share an appearance that is solitary and a little sad, tinged with a sense of uncertainty or uneasiness that is stirred among the viewer. Who are they, and where are they going?
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Editions

Framed blue textile artwork with swirling ocean-like patterns mounted on a white wall.

Andreas Duscha
Kerndruck

Faded white page with random blue-black ink specks and faint bottom text.

Andreas Duscha
»For my mother«

Colorful cross-shaped interlocking blocks forming a 4-by-4 grid on a white surface.

Anna Jermolaewa
»Adapters«

Exhibitions

Art gallery interior with white walls, numerous framed artworks, and white pedestals displaying sculptures on a parquet floor.

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