In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

Lächelnde Person vor roter Wand, pink-grauer Pullover mit geometrischem Muster; Hintergrund mit Kunstwerk und Bastelmaterialien.

Collector Stories Joëlle Romba, Berlin

Joëlle Romba is an expert on contemporary art and is also the director of Sotheby’s Berlin. She lives with her husband Eric, their two young daughters and their large dog in a villa dating from the turn of the century in Berlin-Nikolassee. The passion for art began for the two collectors more than ten years ago. During that period they have acquired more than 200, mostly contemporary works.

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CHART is the leading event for Nordic contemporary art and an editorial platform focusing on the region's contemporary art scene. CHART bring together dedicated individuals and inspiring professionals to impact the future of the arts community in the Nordics and beyond. The next edition of CHART will take place from 27 – 30 August 2026. Each year, CHART presents an art fair with the leading galleries in the region, alongside younger galleries with more emerging programmes, a vast public programme of talks, performances, films and music, a site-specific sculptural exhibition in the iconic amusement park Tivoli Gardens, as well as ongoing editorial releases. Building on Copenhagen’s strongholds of art, design, and architecture CHART explores artistic crossovers and bring the arts community together in all its diversity.

Nordic Notes

Person steht im Atelier vor zwei großformatigen Gemälden; helles Hemd und Jeans, farbenfrohe Porträts im Hintergrund.

Jenni Hiltunen, Helsinki
Jenni Hiltunen deals with phenomena of our time: a pleasure oriented and individualistic worldview and the understanding of reality through images. A “posing culture”, fostered by social media and the internet, and its pretentious way of existing in the world of entertainment is one of the topics she explores to hold a mirror in front of us. She exaggerates without over-moralizing.
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