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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Collector Stories Katharina Baukhage, Berlin

Katharina Bauckhage founded artflash in 2012 as the first online gallery for artworks and limited editions in the German-speaking world. The platform appeals to newcomers and established collectors alike — more than 1,000 editions by over 500 artists have been sold to date.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Blond-haired person sits with arms crossed in a workshop, surrounded by wooden crates and taxidermy skulls.

Máret Ánne Sara, Kautokeino, Norway
In the Sámi culture, reindeer play a core role in almost every aspect of living. For artist Máret Ánne Sara the skulls and other body parts of these animals, mostly dead, are the center of her work.
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Editions

Grüne Schiefertafel auf Holzauflage, rote Schnur spannt vom Tafelrand zu einem senkrecht stehenden Bleistift; weißer Hintergrund.

Sophia Pompéry
»Worlds (small Germany)«

Persian cat leaps midair toward a textured glass door in a wooden frame, indoors beside a potted plant.

Daniel Gebhart de Koekkoek
»Jumping Cats«

Two oval perforated panels with dotted patterns and glowing curved blue and pink neon tubes on a white wall.

Raphaela Riepl
»Assorted Flavors«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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